Vials, Boxes and Envelopes: De Mortillet's Storage System

As we come to the end of the project and the amulets are nearly ready to be put into storage, I thought it would be interesting to reflect on some of de Mortillet's own storage methods and how they differ from those we use in the Museum today. At first glance the containers that he stored some amulets in appear to be utterly random, perhaps things that he simply had lying around his office or house. However, on closer inspection, you begin to ask, 'are they'?

Some amulets have been stored in cardboard pen-nib boxes. For example, this one contained ten discs of bread or ‘small loaves’ with religious figures moulded onto them from Copacabana in Bolivia. You can easily imagine that de Mortillet would have had several pen-nib boxes on his desk. In addition, they are well suited to housing small amulets!

1985.52.1735. 1-.10 © Pitt Rivers Museum 

We've also found a number of amulets inside envelopes, such as this one here, addressed to ‘Monsieur A, de Mortillet’ written in beautiful handwriting and with a wonderful stamp on it. The envelope contains a religious picture made from daisies and wood from the hazel tree where Christ appeared to St. Margaret Mary of Alacoque. Again, it's more than likely that de Mortillet would have had an abundance of old envelops that he could slip amulets into.

1985.52.2693 © Pitt Rivers Museum

However, it's striking how many pharmaceutical or medicinal boxes and glass vials de Mortillet used as storage containers, and I would suggest that this is significant. Many of the amulets in the collection have medicinal qualities and have connections with health issues. Therefore, the choice of these objects to store some of the amulets becomes less random, even though the objects are not directly related to the containers they are stored in. We can only guess at what de Mortillet’s actual intentions were. 

Firstly, lots of objects are stored in glass test tubes, vials or jars. This test tube with a cork stopper contains seven fragments of shell from Algeria. 

1985.52.190 .1-.7 © Pitt Rivers Museum

And this glass 'Grains de Vals' jar contains lead pellets from the Holy Land, yet it would originally have contained herbal medicine for constipation. Grains de Vals have been a used as medicine for a long time (as both the jar and this advertisement from 1934 suggest), and they are still sold today. 

1985.52.2279 © Pitt Rivers Museum

Grains de vals, 1934 (Wikimedia Commons)

Lastly, de Mortillet used various boxes and tins that once contained medicine or cures for various ailments, and which now are very sought after 'vintage' items. For example, there is a cardboard liquorice paste (Pâte de Réglisse) box containing a clay plaque described in the catalogue as a medieval wizard’s talisman. The label translates as: 

'Liquorice Florent. Vanilla flavoured liquorice paste. Delicious tasting, this paste facilitates digestion and expectoration. It cures colds, hoarseness, influenza, stomach upsets and effectively combats ailments of the chest. Made in the great liquorice factory of Cantarel - Avignon (France).'

1985.52.1064 © Pitt Rivers Museum

There is also a ‘Le Rénïol’ metal tin containing eleven iron pyrite crystals. The box would originally have contained pills or small pastilles for a head cold made up by 'PHARMACIE RENGNIEZ, 56 Rue de Passy, Paris'.

1985.52.2337 © Pitt Rivers Museum

We use different packing practices in the Museum today to ensure that objects are stored in a stable environment. The amulets are stored in acid-free boxes, which are lined with jiffy foam (a neutral packing material). Each amulet is placed in it’s own individual sealable plastic bag, which can also be lined with jiffy foam if an object is a little bit fragile. We stack the objects in the boxes with the heaviest items at the bottom, and it’s important not to overfill them. It is essential to label each box and to make a corresponding note about the location of each object on the computer database so that we always know where it is and it can be found easily. 

De Mortillet amulet boxes in the Museum's on-site store room

De Mortillet used a range of containers to house the amulets he collected. They often seem merely random or expedient, but they are incredibly interesting objects in their own right and some are visually very appealing. On one level they provide insight into the type of things, especially pharmaceutical items, common to French households at the time. But on another level, if the use of these medical boxes and glass vials was intentional, perhaps de Mortillet was trying to say something much more significant? Discovering what his intentions were might help us to understand more about his motivations for collecting certain objects. 

Rosanna

'Field Collectors' and 'Other Owners'

Adrien de Mortillet compiled the collection of amulets that we are currently cataloguing, but some of the objects were originally collected or owned by other people. We have two categories on our collections database to account for such people: ‘field collectors’ and ‘other owners’. Finding out more about these individuals helps us to build up a better picture of how de Mortillet acquired these amulets, and how he might have been connected to other collectors / owners.

One example is this Zuni Native American amulet carved from stone. It resembles an animal and could possibly be a hunting or war amulet.

Zuni stone amulet, 1985.52.875 © Pitt Rivers Museum

It was acquired by Colonel James Stevenson (1840–1888), who starting collecting objects from the South West Pueblo Zuni people after he led an expedition to New Mexico in 1879, sponsored by the Smithsonian Institute. He was accompanied by his wife Matilda Coxe Stevenson, who became a respected anthropologist in her own right. De Mortillet acquired this object in 1888, the year that Stevenson died. It is possible that de Mortillet benefited from the disposal of some of Stevenson’s collections preceding or – through his wife’s actions – following his death. It is one of five Zuni amulets that de Mortillet collected but the only one to make it as far as the PRM (a large chunk of his collection is in Paris).

Necklace, 1985.52.330 .1- .2 © Pitt Rivers Museum 

Another example is this necklace with a silver relic box and hands of Fatima (hamsas) attached to it, which was once owned by the French actress Marie Leonide Charvin (1832-1891). Charvin was a successful theatre actress under the stage name of 'Madame Agar'. However, she was blacklisted in Paris after performing in a benefit concert organized by the revolutionary and anarchic Paris Commune in 1871. Hamsa amulets like this were common across North Africa and indeed, Mme Agar died in Algeria where her second husband Georges Marye was the curator of the Museum of Antiquities in Algiers.

Portraits of 'Mademoiselle Agar' a theatrical roles
© Paul Dube and Jacques Marchioro 2001-2012

  

Eugene Boban (Wikimedia Commons)

Some of the other owners or field collectors mentioned include Eugène Boban (1834–1908), a French antiquarian and dealer who collected Mexican objects, and Paul Maurice Pallary (1869–1942), a French-Algerian zoologist who collected objects from Algeria.

Finding out the stories surrounding the people linked to these objects adds more to the seemingly never-ending layers of interest in this collection!


Rosanna